Monday, 21 May 2012

"Brevett Disenfranchised"


Groundins

By: Charles H.E. Campbell

Sunday, May 20, 2012

The Skatalites were formed by Clement Dodd in 1964, under the leadership of Tommy McCook, primarily, as his studio band at Studio One. This arguably, was an amalgamation of the most accomplished Jamaican session musicians, who, individually, and in various combinations, had been behind the catalogue of Dodd, Duke Reid and Prince Buster since the mid 50s. It was made up of nine, now very famous, National Cultural Icons, including McCook as leader, along with the incomparable Don Drummond, that brilliant keyboardist and arranger Jackie Mittoo, ‘Dizzy’ Johnny Moore, ‘Jah Jerry’ Haynes, Roland Alphonso, Lloyd Knibb, Lloyd Brevett, Lester Sterling and lead singer Doreen Schaeffer.



The Skatalites

Over a period of approximately 18 months, they backed the live appearances of many artistes promoted by Coxsone and other promoters. Four years after the group split up in 1965, Don Drummond met his untimely death. Between then and 1983, the other members performed mainly in two succeeding groups; the Soul Vendors and the SuperSonics. In 1983, at the urging of Synergy Productions and the prospect of the Skatalites performing live at Reggae Sunsplash that year, the group reunited.


It wasn’t however, until 1987 that the Skatalites were first formally incorporated in Jamaica by ‘Dizzy’ Johnny Moore and Jackie Mittoo. In 1990, the group lost its second member, when the genius Jackie Mittoo passed on. In 1996, a U. S based registration was done with the associated trade mark being owned by Tommy McCook, Roland Alphonso, Lloyd Brevett, Lloyd Knibb and Lester Sterling. Within this period, the Skatalites recorded 3 albums for Shanacie Records.

Calamity struck again in 1998, when both Tommy McCook and Roland Alphonso died. In September 1999, another trade mark registration was done in U.S.A, in the name of Skatalites Inc., listed as a Jamaican corporation, which seem to represent only the U.S. based quorum of members that were still alive. In October of 2000, Ken Stewart, who had previously been employed by Tommy McCook to replace Jackie Mittoo as keyboardist, after he died, became the manager of the band.

By 2004, it seems that there was discord within the group because when Lloyd Brevett gave the forms for registration of the trade mark to Lloyd Knibb and Lester Sterling to sign, while they were traveling on a tour bus in Switzerland, the latter two immediately tore up the forms. Brevett was not invited to join the group’s tour later that year. Since then, a persistent attempt to disenfranchise him has been set in motion by certain parties associated with the group.

Double tragedy struck when ‘Jah Jerry’ Haynes died in 2007 and ‘Dizzy’ Johnny Moore passed on in 2008, leaving Lloyd Knibb, Lloyd Brevett, Lester Sterling and original vocalist Doreen Schaeffer, as the only living members of the original Skatalites. In 2011, this trade mark was re-applied for with Lloyd Knibb as an individual correspondent, but the questions remain, whether this was granted before or after his passing, in that same year, and what about the interest of the estates of all of the other deceased members, including Lloyd Brevett, who just recently passed on as well.



Lloyd Brevett

The veil also needs to be removed from who has been receiving digital royalties from SoundExchange, on behalf of the Skatalites; how and to whom it was distributed.
Lastly, one significant piece of musical history, seldom referred to, is the seminal fact that the Wailers’ early formative career and catalogue under Studio One, was jointly done with the Skatalites.

Email: che.campbell@gmail.com

http://www.jamaicaobserver.com/entertainment/The-Skatalites-musical-journey_11507384

Monday, 7 May 2012

Unreliability of local charts


Groundins

By: Charles H.E. Campbell

Sunday, May 06, 2012

MUSIC charts are supposed to reflect a relatively accurate picture of the popularity of a particular song in the market place, or some segment of it, at a particular point in time. There are supposed to be complied and assembled based on a set of objective criteria and data.

These charts are a critical cog in the professional life of an artiste, as they are relied upon for historical accuracy, by the press, record companies, booking agencies, promoters, event patrons and the general buying public, in determining what's happening on the ground. The publication of music charts therefore, impact the very livelihood of artistes and likelihood of them being booked for concerts, overseas tours, international recording contracts and request for press appearances among other things.

A sampling of the most popular local charts include: Richie B's on Hot 102; on TVJ there are the FIWI Chart, ER Chart and Suzie Q's Video Chart; CVM TV has a chart called The Hitlist.

Another dimension of this sordid, conspiratorial scheme, by an alliance of music and media operatives, so as to unfairly profit from payola, at the expense of promoting and maintaining fair-play and good standards in our music which is being broadcast on air, is the manipulation of some of our music charts, creating a distortion of the information being provided to the industry as well as the marketplace.

In a perverse way, payola may ironically increase access to the airwaves, in the sense that, songs that wouldn't normally make their way into the media get prominent airplay, because people were paid to list this song in their charts and/or to play it on their programmes. In so doing, these manipulated charts create a false impression of the true situation on the ground and lead to a historical distortion of our music industry's environment and legacy.

It is my considered view, especially with CD sales having less significance, that in order for our local media and entertainment industries to bring things back to some relative degree of rationality, an overarching, authoritative national music chart should be designed and developed using popular sources such as: YouTube, iTunes , Soundcloud and MySpace. This initiative would go a far way in reducing the tendency of our wayward network in their conspiracy to manipulate the airwaves to satisfy their personal greed, with no regard for the disservice that they are doing to Jamaica music industry.

Quite frankly, I think some of our media managers are very short-sighted, because as significant amount of the money being earned unethically by these culprits could legally be earned by the stations/networks themselves by offering to the music industry scheduled slots within their daily or weekly broadcast times to allow for artistes, producers or booking agencies to promote their works, while fully disclosing to the discerning public the sponsors of these special programmes.

In closing, I learned that Lloyd Brevett made his transition on Thursday, May 3, 2012 and wish him God speed. Walk good my friend.

Email: che.campbell@gmail.com

Read more: http://www.jamaicaobserver.com/entertainment/Unreliability-of-local-charts_11412214#ixzz1uDsPVh4R